In June of this year, Yuzhong District Public Security Bureau Detectation detachment, Yang mou. Subsequently, the financial personnel of the company found the accounts abnormal ,Louboutin Pas cher,while Yang has had not to work. After the divorce, still with her ex-husband married Yang in ex-husband repeated instigation, this year in January ,February, has two times the company 260000 yuan toherself and her ex-husband. You are the company cashier ,to borrow the money to a company ,we can improve the look of life. In 2005, Yang came to a landscape design company ,last year the company cashier. In this introduction, we elaborate how network archaeology opens up promising areas for critical investigation, new objects of study, and prospective sites for collaboration within the productively discordant approach of media archaeology.The newspaper news( reporter Wu Qi ) at the beginning of this year ,a landscape design company cashier Yang ,after her first husband only a better life instigation, to turn to the company 260000 yuan ,to join him to buy lottery tickets. Drawing from the field of media archaeology, we conceptualize network archaeology as a call to investigate networks past and present – using current networks to catalyze new directions for historical inquiry and drawing upon historical cases to inform our understanding of today’s networked culture. This special issue of Amodern features original research, initially presented in 2012 at the Network Archaeology conference at Miami University of Ohio, on the histories of networks, the discrete connections that they articulate, and the circulatory forms of data, information, and socio-cultural resources that they enable. An archaeological approach, one that routes between contemporary and historical networks, Alan Liu argues, has the potential to regenerate a sense of history that would temper the presentism of digital culture, all too often experienced as instantaneous and simultaneous.

These histories often remain disconnected from research on digital networks, the latest to re-shape our socio-technical environment into a mesh of interconnecting nodes. Networks have structured our social – and media – development long before the emergence of the “network society.” From the letter-writing networks of the proto-Italian aristocracy to the electrical networks that facilitated industrialization from the spread of woodcuts, pamphlets, and ballads that supported the Protestant Reformation to the twentieth century emergence of broadcast radio and television networks, media have always been situated in the matrices of networks of circulation and distribution, facilitating historically specific modes of connection. Insect Media is a book that is sure to create a buzz.' - Eugene Thacker, author of After Life''' Parikka not only understands insects through the lens of of media and mediation, he also unearths an insect logic at the heart of our contemporary fascination with networks, swarming, and intelligent agents. 'Jussi Parikka challenges our traditional views of the natural and the artificial. Challenging anthropocentric approaches to contemporary science and culture, Insect Media reveals the possibilities that insects and other nonhuman animals offer for rethinking media, the conflation of biology and technology, and our understanding of, and interaction with, contemporary digital culture. Deftly moving from the life sciences to digital technology, from popular culture to avant-garde art and architecture, and from philosophy to cybernetics and game theory, Parikka provides innovative conceptual tools for exploring the phenomena of network society and culture. They are, rather, profoundly nonhuman phenomena that both draw on and mimic the alien lifeworlds of insects. Through close engagement with the pioneering work of insect ethologists, including Jakob von Uexküll and Karl von Frisch, posthumanist philosophers, media theorists, and contemporary filmmakers and artists, Parikka develops an insect theory of media, one that conceptualizes modern media as more than the products of individual human actors, social interests, or technological determinants. In Insect Media, Jussi Parikka analyzes how insect forms of social organization-swarms, hives, webs, and distributed intelligence-have been used to structure modern media technologies and the network society, providing a radical new perspective on the interconnection of biology and technology.

'''Uncovering the insect logic that informs contemporary media technologies and the network society Since the early nineteenth century, when entomologists first popularized the unique biological and behavioral characteristics of insects, technological innovators and theorists have proposed insects as templates for a wide range of technologies.

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